Garry Fabian Miller's Dark Room is a photography book unlike any other. At its heart is the artist's description of a life lived making pictures between the dark and the light, a deeply personal account woven against the history of photography from the moment of its birth in the 1830s to its decline, and some would say death, in the digital age almost two hundred years later. It is a memoir that reads at times like a manifesto, at others like a confession; a last testament to the dark room as both a site for the imagination, and a physical space for the alchemy that William Henry Fox Talbot once described as 'a little bit of magic realised'. Dark Room charts Miller's work over five decades, shifting from a camera-based practice in early career to the abstract picture making for which he has become internationally recognised, working without a camera to experiment with the possibilities of light as both medium and subject. At its core is the relationship with nature and place that has so sustained his way of life, and specifically with his home on Dartmoor and the cycle of daily walks that have been at the core of his practice for thirty years. The book also features an essay on Miller's work by his friend the potter and writer Edmund de Waal and technical notes by Martin Barnes, senior photography curator of the Victoria and Albert Museum.

Maurice Broomfield (1916-2010) was a humanist photographer of the heroic and sublime - and sometimes surreal - qualities of industry and manufacture. His work spans the rise of post war industrial Britain in the 1950s to its slow decline into the early 1980s. Through his perfectionism, skill and sheer delight in the possibilities of photography, he produced an invaluable record of Britain's manufacturing past that is packed with artistry and high drama. 'My father always wanted to be called Maurice not Dad, so Maurice it is...' Industrial Sublime is introduced by Maurice's son, filmmaker Nick Broomfield, who this year released the documentary My Father and Me, which explores his relationship with Maurice. V&A curator Martin Barnes discusses the life and work of Maurice, whom he came to know well as he worked to transfer his archive from his Hampshire home to the Museum. He also analyses in more detail a selection of the most important images, many of which are accompanied by memories related by Maurice as he revisited his work. Together they form a monument not just to the might of British manufacturing, but to the dedication, skill and experience of those who worked in it.

Among the most magnificent buildings of England are its Anglican cathedrals, great symbols of spiritual and architectural power. There are few experiences more uplifting and humbling than standing in the nave of a cathedral, and no one can fail to marvel at Durham's incomparable Romanesque masterpiece, the elegant stylistic unity of Salisbury, the world-famous stained glass of Canterbury or the striking Gothic scissor arch at Wells. Britain is the top foreign tourist destination for Americans, with 3 million visiting each year, and historic buildings are the top visitor sites. Canterbury Cathedral alone receives over 40,000 visitors each year from the United States and, together with Durham, is a World Heritage Site. In this truly breathtaking book, award-winning Magnum photographer, Peter Marlow, has captured the nave of each of England's 42 Anglican cathedrals. Taken in natural light at dawn, usually looking towards the east window, these remarkable images bring into sharp relief the full splendour of the buildings. Marlow first took up photography as a student, after visiting an exhibition of the photographs of Walker Evans at the Museum of Modern Art in New York. The impetus to begin photographing cathedrals came from a commission in 2007 from the Royal Mail for photographs of the interiors or six cathedrals, for use on a set of commemorative stamps. Once the commission was complete, Marlow was inspired to continue the project in his own time. Approaching the Dean and Chapter of each cathedral, he gained permission to enter each building in the early hours of the morning and to turn off all artificial lights. Marlow adopted a kind of ritual, waking as early as 3.00 am to drive to the location and begin working from 6.00 am. In this window of opportunity, he watched the cathedral interior emerge from the darkness and come to life. Marlow's spellbinding photographs are accompanied by his commentary on the project, including sketches, preparatory shots and technical notes; an introduction by curator Martin Barnes on the tradition of church photography, especially the work of Frederick Evans and Edwin Smith; and a concise summary of each cathedral interior by architectural historian John Goodall.

The V&A Photography Library is a new series of accessible, introductory volumes to the key themes, works, objects and individuals in photography, illustrated with unprecedented access to the V&A's photography collection, the oldest held by a public museum and one of the largest and finest in the world, now expanded with acquisitions from the Royal Photographic Society collection. Written by Martin Barnes, Senior Curator of Photographs at the V&A, and publishing to coincide with the launch of the V&A's new Photography Centre in autumn 2018, Cameraless Photography presents a concise historical survey of photographic images created without a camera. With over 125 photographs supported by extended commentaries and an introduction, it embraces a chronology spanning the early photographic experiments of the likes of Anna Atkins in the 19th century through the avant-garde photograms of modernists such as Man Ray, to the work of contemporary artists, such as Susan Derges, nearly two centuries later. Visually compelling, Cameraless Photography will be an outstanding introductory overview of the key creative, cameraless processes running throughout the history of photography - including photograms, chemigrams, luminograms, dye destruction prints and more - illustrated by the cameraless work of some of photography's greatest names.

Horst P. Horst (1906-1999) was one of the twentieth century's master photographers. A revered figure in the world of fashion image making, he charted sixty years of style for "Vogue" and "House and Garden," from the fashions and celebrities of the 1930s to the interiors of the 1980s. However, little-known within his body of work - and contrasting intriguingly with his career in fashion - is a set of prints and a book, "Patterns from Nature" (1946). Working with a Rolleiflex and Graphic View Camera in New York, Monterey and Mexico, Horst photographed the detailed textures and forms of natural objects, including plants, rocks, shells and butterfly wings. His close scrutiny of these forms makes them unfamiliar and revelatory. These images were gathered into "Patterns from Nature," which also featured 9 kaleidoscopic images made by arranging the photographs in simple repeat. Horst believed that these dynamic patterns would be 'immediately applicable to industrial fields such as textiles, wallpaper, carpets, plastics and glass'. Published to coincide with a major retrospective on Horst's work at the Victoria and Albert Museum, Martin Barnes re-examines these images in, "Horst: Patterns from Nature." This new edition will make the 9 original collaged images available for the first time in nearly 70 years and will also include a further 28 photo-collages that have only recently been rediscovered and have never before been seen or published.

The very first photographs of the nineteenth century were produced without the use of a camera. Today, having rediscovered camera-less techniques, a number of artists are using camera-less photography to create beautiful, startling images. Now available in an updated and fully revised edition, Shadow Catchers surveys the work of five leading practitioners - Pierre Cordier, Susan Derges, Adam Fuss, Garry Fabian Miller and Floris Neususs - who, by casting shadows on light-sensitive paper or by chemically manipulating its surface, capture the presence of objects, figures or glowing light. The resulting pictures are consistently powerful, often with surreal effects and symbolic content. This is the first book to gather together the work of these key contemporary artists, revealing the technical processes and creative practices involved in their art. In an age of mass-produced imagery, Shadow Catchers offers a fascinating insight into a world of handcrafted photographs that are at once visually striking and intellectually stimulating.

Among the most magnificent buildings of England are its Anglican cathedrals, great symbols of spiritual and architectural power. No one can fail to marvel at Durham's incomparable Romanesque masterpiece, the elegant stylistic unity of Salisbury, the world- amous stained glass of Canterbury or the striking Gothic scissor arch at Wells. In this breathtaking new book, award-winning Magnum photographer Peter Marlow has captured the nave of each of England's 42 Anglican cathedrals. Taken in natural light at dawn, usually looking towards the east end of the building, these remarkable images bring into sharp relief the full splendour of the architecture, whatever the style. Marlow's spellbinding photographs are accompanied by his commentary on the project, including sketches and preparatory shots; an introduction by curator Martin Barnes on the tradition of church photography in England, particularly the work of Frederick Evans and Edwin Smith; and a concise summary of each cathedral interior by architectural historian John Goodall. A special collector's edition comprising a blocked, cloth-bound hardback edition of the book and a signed, hand-finished print, 30.5 x 25.4 cm (10 x 12 in.) , placed together in a handmade, blocked, cloth-bound slip case.

CESMM4 Revised: Handbook is an essential guide to the Civil Engineering Standard Method of Measurement (CESMM). This edition of the handbook has been thoroughly revised and updated to reflect the changes and new material contained within CESMM4 Revised. Written by members of the CESMM Review Committee, CESMM4 Revised: Handbook is the official guide to the use of the CESMM. Using an extensive range of worked examples, the book explains and elaborates the principles and use of the CESMM for the preparation of Bills of Quantities. For ease of reference, the organisation of the handbook follows the structure of the sections and classes within the CESMM. CESMM4 Revised: Handbook is an invaluable reference for anyone who needs to prepare Bills of Quantities in civil engineering work and competitive tenders using the Civil Engineering Standard Method of Measurement.

Have you ever stood in front of a mansion, museum, government building, church, or other structure with towering pillars that supported the structure? Have you marveled at the splendor and strength of the pillars? Turning to the spiritual realm, have you ever thought of the pillars that uphold the gospel message of salvation and God's love for a sinful race? The Bible and the Spirit of Prophecy are full of truths that point toward to an all-powerful, all-knowing, and all-loving God. Pillars of the Gospel presents the following subjects with inspiring Bible verses and quotes from early Adventist pioneers to help you understand the extent and depth of God's love for you: God's Creative Word Christ Is Our Representative Title and Possession Saved From the Penalty, Power, and Presence of Sin God Is on Trial Work in the Earthly and Heavenly Sanctuary The Reward of Heaven

"Thy way, O God, is in the sanctuary: who is so great a God as our God?" Psalm 77:13 If you think the Old Testament feast days are outdated and of no interest to Christians living in the twenty-first century, think again Within the feast days lies the entire gospel message of salvation-every feast says something about Jesus: who He is, what He is doing, and what He will do in the future. Feast Days for the Contemporary Mind will open your eyes to the amazing truths about salvation that God wove into the feasts He gave to the Israelites to observe. Pastor Craig Martin Barnes explores each of the seven feasts and the antitypical fulfillment of each event as it relates to our redemption. This book plunges you into the Word of God, examining the Old and New Testament as it relates to the feast days and their completion and providing detailed commentary that expounds upon the subject matter and guides you to a deeper understanding of Jesus' life, death, and heavenly ministry.

"Thy way, O God, is in the sanctuary: who is so great a God as our God?" Psalm 77:13 If you think the Old Testament feast days are outdated and of no interest to Christians living in the twenty-first century, think again Within the feast days lies the entire gospel message of salvation-every feast says something about Jesus: who He is, what He is doing, and what He will do in the future. Feast Days for the Contemporary Mind will open your eyes to the amazing truths about salvation that God wove into the feasts He gave to the Israelites to observe. Pastor Craig Martin Barnes explores each of the seven feasts and the antitypical fulfillment of each event as it relates to our redemption. This book plunges you into the Word of God, examining the Old and New Testament as it relates to the feast days and their completion and providing detailed commentary that expounds upon the subject matter and guides you to a deeper understanding of Jesus' life, death, and heavenly ministry.

A fresh account of the career of one of the most important photographers of the 20th century Through his amazing variety of innovative images, photographer Paul Strand (1890-1976) played a crucial role in establishing the medium's significance as a modern art form. Celebrating the Philadelphia Museum of Art's recent acquisition of the core collection of Strand's prints from the Paul Strand Archive, this stunning book comprehensively reassesses the artist's career in light of current scholarship and critical debates about his work. Featuring more than 250 plates, the catalogue includes many of Strand's iconic early photos such as Wall Street and Blind Woman alongside lesser-known master prints from all phases of his career. Discussing the artist's prolific career, from his emergence in Alfred Stieglitz's circle in New York in the early part of the century to his years spent working abroad in places such as Mexico, France, Italy, and Africa, Peter Barberie positions Strand as a remarkably independent modernist whose priorities shifted at several points and often ran counter to prevailing trends. Amanda N. Bock focuses on the years 1930-50, when Strand thoroughly explored the role of politics in modern art and relentlessly sought to identify the greater purposes of photography and filmmaking. The edited transcript from a roundtable discussion among key scholars touches upon many aspects of Strand's various projects from the 1930s to the 1960s. A detailed chronology brings to light new information about the life and work of an extraordinarily important and influential 20th-century photographer. Published in association with the Philadelphia Museum of Art, in collaboration with Fundacion MAPFRE Exhibition Schedule: Philadelphia Museum of Art (10/21/14-01/04/15) Fotomuseum Winterthur, Switzerland (03/07/15-05/17/15) Fundacion MAPFRE, Madrid(06/03/15-08/30/15) The Victoria and Albert Museum, London (03/19/16-07/03/16)